But what if I told you that you don’t have to be an expert (with years of experience) to make professional music at home? Please deactivate your ad blocker in order to see our subscription offer, The rise, fall and rediscovery of the Fender Jaguar, How to set up a Les Paul: 7 essential tips, We check over 130 million products every day for the best prices. Want to know the best part of this technique? Personally, I like to set this so that only the loudest transients are affected, taking into consideration that when the adrenaline starts to kick in on stage, I may dig in a little harder. If you learn to compress your bass properly, you’re one step closer to a radio-ready mix. Note that some compressors don’t make these parameters available for user settings, presetting them internally instead. The 1176 has variable attack and release controls, which makes it flexible enough to get the job done in a variety of different circumstances. Because without a solid low end, the song has no energy. Receive news and offers from our other brands? Finally, decrease the threshold until you are getting 5-10dB’s of compression. Oftentimes, the settings aren’t even different – the compressor plugin is literally duplicated to the space beneath it! By This may sound counter-intuitive, and it does require a slightly different approach to the settings, but as my compressor acts, it brings up the volume of quiet passages, while the presence of the direct signal allows for my transients to be left alone. It hardly leads to the most “musical” result. By Dan Veall (Bass Player) 25 February 2020. I recommend saving it to your desktop, that way you can easily reference it while you’re mixing. The Bass Player guide to compressors and how to integrate them in your rig. First, slowly decrease the attack time until the bass starts to sound dull and less aggressive. I couldn’t hear the bass anyway! (Bass Player) 25 February 2020, The Bass Player guide to compressors and how to integrate them in your rig. Visit our corporate site. ContentsWant your mixes to sound pro?The Bass Compression Trick for a Tight, Solid Low EndWhy Do Basses Need So Much Compression Anyway?How To Compress a Bass (like a beginner)How To Compress a Bass (like a PRO)Conclusion: Bass Compression7 Steps to Pro Mixes at Home Sign up below to get the latest from Bass Player, plus exclusive special offers, direct to your inbox! Here’s the thing… There was a problem. By the end of this article, you’ll know the simple technique that the pros use to create solid (yet natural) sound. Functionally, that means that the gain reduction meter has time to return to zero right before the next note starts. Pushing the gain up will hit the compressor threshold sooner. In modern music, this is nearly impossible without compression. Lighter genres don’t need an especially thick and exciting low end sound. Because you aren’t slamming a single compressor, the tone sounds less “squashed.”. If the bass playing is very fast, don’t feel like you have to get the meter to return to zero before EVERY note. For this technique, I follow the steps I laid out above. When I first started playing bass, compressors were just what’s known as full-band. Nowadays it’s possible to divide up your frequency range into low, mid and high bands, rather than thinking of it as one source. Don’t rely on the meter. Input level governs the level of signal into the compressor circuit, which can affect the action of the compressor itself too. How to Make DIY Bass Traps: The Complete Guide, Split Processing Trick (Better Kick & Bass FAST! Well… For example, a 2:1 ratio means that above the threshold, each 2dB rise in volume will result in a 1dB change in signal output. Sometimes I’ll even use them on guitars if they’re supposed to sound less aggressive. But with the right amount of compression, that fullness is always there. You can use it on any instrument you want. One of the most popular choices is an 1176-style emulation like Waves’ CLA-76. Receive mail from us on behalf of our trusted partners or sponsors? The settings you use on your compressor when you’re playing through a little practice amp will seldom reap results when you hit the practice room with the full Rig Of Doom! Without a solid low end, the song has no “umphf.” If you learn to compress your bass properly, you’re one step closer to a radio-ready mix. In that case, ‘making up’ the level is often necessary. More than anything, remember – use your ears! The effect is almost transparent when it’s set up properly. BA1 1UA. I’m beginning to get the hang of compression, and this opened my eyes quite a bit. There is an exception, however. Depending how much compression you apply, you can end up with anything from a subtle, almost unnoticeable difference to practically obliterating anything that resembles dynamics. It sounds more complicated than it is. But what if I told you that you don’t have to be an expert (with years of experience) to make professional music at home? Make sure to tweak the settings of your second compressor. What if I told you that you can make radio-ready music at home, even if you’re new to mixing? You’ll no longer feel confused and overwhelmed by the recording and mixing process. My own secret weapon is known as New York-style compression, which blends a direct signal in with compressed sound. Let’s look at the different controls you may find and help you choose useful settings for each. But with the right amount of compression, that fullness is always there.
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